Ok I have 7 minutes before midnight, here we go!

before I get on to Vaughan Williams, I would like to make an announcement. As you may or may not know, the Alexandria Symphony Orchestra will be performing my piece, O Great Mystery on September 27th at the Schlesinger Center at the NOVA Campus. It is a huge honor to get such a rewarding premiere from such an amazing orchestra, I really hope all of you can make it. If you’re in the area, you can buy tickets here!

Meanwhile, here are the program notes so you can get an idea of what the piece is about (sorry, not posting a MIDI for this one).

Most of my music can be broken down to one essential question, Where is God? O Great Mystery marks the start of this musical quest. In essence, this piece can be split into three parts, the first part being an introduction to the motif of conservatism. When I wrote this part, I imagined a line of monks chanting in an ancient, grand cathedral. It’s beautiful and mystic, but has a sense of darkness inside. The theme of this introduction goes back to when I was in choir in high school, and my teacher handed out a piece she was considering for us to do, and then played us a recording. The piece was “O Magnum Mysterium” by Tomas Luis de Victoria. I quoted the first two lines of the piece and included a translation from its original Latin.

O magnum mysterium,                                            O great mystery,

et admirabile sacramentum,                                    and wonderful sacrement, 

The piece has such a beautiful mysticism to it, and the color of the words themselves, even without the music, gives off the perfect sense wonder yet it has a slightly ominous quality to it. What is this great mystery? It’s beautiful, yet ambiguous.  

While this piece is not programmatic, nor is it sacred, I believe this metaphor will help make this piece as understandable as possible. By this point, one of our monks decided he would leave the comfort of his church. He went out of the dark enclosed church and entered a strange world. Our monk here never really questioned anything he’s been told, and sort of followed what he was told almost blindly. Now he realizes that outside of home, he’s free. He lifts the rusty cage from his heart and lets it roam. This middle section, to give it a broader sense is about liberalism. It’s about leaving your mind and letting your heart roam free. But, absolute freedom can be overwhelming, and our hearts are wild. It’s almost too much, to be out into a free world and eventually, the freedom turns into fear, and you wish you were caged again.

Here is where our monk returns to his church, but like Plato’s philosopher coming back to his cave, he cannot help but feel the emptiness in the prayers of that church. So he fills it, he realizes that his heart and his mind don’t need to be separate and neither the old and the new, rather, they should both be embraced, and only then can there be passion, foundation, and unity.

It should be noted that I don’t write for myself, nor do I believe my music comes from me, therefore, please do not treat this analysis as an extension of the piece, but rather a way of seeing it from someone who loves the piece, but is indeed separated from it. Therefore your view of the piece is no less important than mine, nor does it need to be similar.

This piece is a journey, I wrote it when I first started to hear the world I was witnessing, and I hope you enjoy my sharing of this mysterious voyage with you.

I hope at least some of you are as excited as I am for this premiere, it’s going to be a spectacular.

Now for Vaughan Williams. This time I’m going away from his choral works and focusing on a piece that almost no one knows of. This right here is the second movement of the Vaughan Williams piano concerto, which has been performed like, almost never. I admit, this is not his best work, but this second movement is so rich and luscious, filled with that classic Vaughan Williams passion that we’ve all come to love. There is practically no history on this piece other than the fact this is a really hard concerto. It’s still a beautiful movement, despite being so hidden in the repertoire. Here’s the second movement with a scrolling score! (yay!)

[youtube https://www.youtube.com/watch?v=ypnZ3MNZ6es&w=854&h=510]

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